DİĞER
"What we see in this exhibition are works created by Zehra Doğan with persistence and resilience during her prison sentence, using any surfaces, objects and materials she could find (including brushes made out of her own hair and menstruation blood used as paint; an expression of body politics in its fullest sense) and other manifestations of the alternative realm she created while in prison."
"We certainly have no issue with discussing the content and arguments of our review, or indeed of Mikhail’s book. We in fact welcome this opportunity to expand on our critique of the book rather than dwell on the curious set of personal attacks."
“We cannot read our fellow historians’ minds, let alone the mind of an early sixteenth century ruler. Why a historian in a respectable university has been possessed to concoct this tissue of falsehoods, half-truths and absurd speculations remains a mystery to us. Why a paper like the Washington Post would publish it, and then block responses to it, is also a question that would bear examination.”
"Iraida Viacheslavovna Kedrina Barry's presence in Istanbul was akin to a 'message in a bottle' floating in uncharted waters. She had an inner world that she kept for herself. She remained guarded and aloof from the society that increasingly discriminated against non-Muslims. Her messages that metaphorically remained in a bottle in Istanbul finally reached the shores to be disclosed at the archives at Columbia University."
David Mikics, the editor of Bloom's last book "The American Canon," answered K24’s questions about Bloom’s legacy and posthumous publications
In an exclusive interview for K24, Ben Lerner answered questions by Donat Bayer, the Turkish translator of Lerner's book of collected poems, "No Art"
Ahmet Altan, who was re-arrested earlier this month days after being released from a three-year-long detention in jail, received this year’s Geschwister-Scholl Prize. Altan sent an acceptance message to the ceremony held in Munich
Orhan Pamuk does narrate the “local” as Kirsch tells us, sure, but he does this by turning the image into an allegory. He diagrams the fluid reality of a society by reducing it to sharp dualities
Located in France, the Paris Institute for Critical Thinking reimagines the academy as a venue of learning for its own sake. Co-founders Evrim Emir-Sayers and David Selim Sayers discuss the birth of the institute, their schedule, and why we need independent venues to foster critical thinking
It’s not easy for political power to create culture. It is far easier for it to interfere in the existing culture, for it to prevent or ban what exists. This is what AKP will eventually resort to in its search for “cultural hegemony”
If the first sparks of contemporary Kurdish literature were lit in exile, it was to catch fire in its own land. But those initial flames of exile, the foundation of our contemporary literature, are unfortunately being extinguished
We need to make room for Zaven Biberyan in this country's literature. In my view this place should be somewhere at the top, among the very greatest
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